Игорь Федосеев
ca62db53e9
- Billiards: add native Russian Pyramid & American Eight-Ball pool with physics prediction, controls, and regression tests - Scratch Tickets: add dedicated counter, mat presentation, elliptical coin scraping, 4 ticket types, and payout effects - First-Person Dice: add native dice scene, hand anchor frames, throwing animation, and table perspective - City Wake & Weather: add arrival cutscene, alley geometry, weather/rain effects, and lighter/rocker animation - World Dressing: add hall paintings, furniture packs, hall lighting, and scene regression tests - Build & Tooling: update build.bat for modern MSVC toolchain, update launcher hash, and refresh shipping binaries
52 lines
3.1 KiB
Markdown
52 lines
3.1 KiB
Markdown
# Alley Wake-Up
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The Eblan Games intro leads into the exterior cinematic on every launch.
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Runtime camera, weather, sprite playback, compositing and input remain MASM.
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PNG generation and normalization are offline tools only.
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The protagonist opens their eyes while seated on the alley ground. Bent knees
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remain in the foreground while a scruffy cyberpunk rocker crouches nearby and
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speaks. The agreed dialogue is shown as Russian subtitles, without synthesized
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voice: "Вставай, самурай, пора дэпнуть все в казино".
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The protagonist raises a cigarette, opens and ignites a flip-top lighter,
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looks into the cloudy sky and exhales, then rises smoothly, turns right and discards the butt
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into the existing projected dumpster mouth and follows the city route to the
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guards. Profile selection still happens at the casino entrance. Enter can
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skip to the guards; existing Escape handling is preserved.
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The seated view faces east, toward the rocker. Dumpsters are south of the
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protagonist, off-screen to their right. The separate look-right phase rotates
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the camera only after standing; the throw then uses the real dumpster mouth.
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Traffic timing follows the pre-alley duration, preserving the safe red-light
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crossing after the longer wake-up sequence.
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There are thirty-two grounded rocker poses and sixteen lighter poses. The
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speaking cycle has sixteen distinct crouched poses, then eight rise/turn poses
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and eight walking-away poses. The coat's red SAMURAI back emblem follows the
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[official jacket reference](https://www.cyberpunk.net/en/news/30631/pre-order-your-samurai-bomber-jacket-now).
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Character
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normalization uses whole connected silhouettes rather than nominal atlas cells,
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so neighbouring fragments cannot move the feet anchor. Generated assets and
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exact prompts are under `assets/sprites/arrival/wake-*`; packed runtime assets
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are under `assets/animations/arrival/wake-*`.
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The lighter forearm is a separate continuous leather sleeve placed underneath
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the animated cuff using measured per-frame anchors. It extends out of the
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viewport rather than ending at a floating wrist. New vent/poster/crate/cabinet
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materials are in `alley-materials-v1.bin`; wall-mounted fittings, drainage
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pipes, stacked crates and a floor drain use actual ray/depth-tested surfaces.
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The centre walking strip and the right-hand dumpster reveal remain clear.
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`wake-v2-prompts.json` records all three built-in image-generation prompts.
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Rain uses three visual-depth layers with different speeds, length and opacity.
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Streaks blend into the rendered scene rather than replacing it with blue blocks.
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Ground splashes are rejected behind nearer geometry. Weather reads cinematic
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time, not the gameplay random generator. Looking vertically into the sky blends
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the raycast view into the sky rather than abruptly switching projections.
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Verification uses the actual native action-test renderer, camera continuity
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samples, route/vehicle checks, profile transitions, packed-asset checks and
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framebuffer sequences. `check_arrival_frames.py` writes wake/ignition preview
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GIFs from those native captures. `check_city_wake.py --parity` checks dialogue,
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anchors and equality of shipping/tested cinematic procedures.
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